Here is the next installment in the interview series., Purehilarity.
1. I see that you are attending Delaware College of Art and Design. What kind of stuff does a school of art teach someone about animation?
You get a sort of mixed teaching in art school. Some teachers are more focused on the business side of art while others are interested in art as a form of an expression. In terms of animation you get to learn about tons of different animators out there, you learn techniques such as overlapping action and squash and stretch, and you get to play around with different mediums such as clay, puppet, traditional, etc.
2. What kind of goals do you have for your films?
Just to create something beautiful.
3. What do you think your strengths are in this craft?
I think I am okay all around, not particularly strong in anything specifically.
4. What have you found to be the hardest about stopmotion?
Armatures probably. Theres so much to them and they are so important to the whole thing. If you don’t take your time on them and rush to the next step you’ll create a lot of stress later on.
5. With all those video games and Ipods out there, what draws you to stopmo?
I just love the fact that it’s everything. You’re every kind of artist rolled into one and you have to do so much. When I get bored of one aspect of it theres tons of others to think about.
6. What kind of camera and software do you use?
For my latest one I’ve been using both a Sony digital video camera and an older Fujifilm digital camera, Stop Motion Pro, Adobe After Effects, a little bit of Photoshop, Adobe Premiere,
7. What kind of tools do you have access to for your stopmotion?
I got a power drill this year and thats been AMAZING. I never thought I’d be so excited about a drill but I’ve gotten so much use out of it. At school I have access to a band saw, a belt sander, and a drill press, so those are very helpful as well.
8. Any animation you have seen lately that you really liked?
Darkness Lightness Darkness by Jan Svankmajer.
9. What do you tell your peers about stopmotion?
I tell them that it’s a lot of work and that it’s not playing with dolls
10. Where do you get most of your knowledge of puppet animation?